Hewlett Packard Corporation, Westford, MA Samples for Industry
1. Prototype Front Bezel from Communications Test Set, epoxy resin stereolithography painted gray, 8 1/2" x 15  1/4" x 2 1/4", Designer: Rene Miner
2. Prototype Piece Part from Portable Test Set, epoxy resin stereolithography, 2" x 9" x 3/4", Designer: Rene Miner
3. Prototype Piece Part from Portable Test Set, epoxy resin stereolithography painted gray, 4" x 2 1/2" x 3/8", Designer: Rene Miner
4. Prototype Speaker Grill from Portable Test Set, epoxy resin stereolithography, 1/2" x 1" x 1/16", Designer: Rene Miner

Z Corporation, Somerville, MA Samples for Industry
5. Prototype of Monitor Stand, Zcorp Zprint, white starch based powder and water solution infiltrated with resin, 6" x 4" x 6"
6. Yoke Parts, Zcorp Zprint, pink starch based powder and water solution infiltrated with resin, 3" x 4" x 3"
7. Motor Covering, Zcorp Zprint, lime green starch based powder and water solution infiltrated with resin, 1" x 3" x 5"
8. Motor Covering, Zcorp Z print, purple starch based powder and water solution infiltrated with resin, 2" x 3" x 8"
9. Gear Part, Z corp Zprint, yellow starch based powder and water solution, 2" x 2 1/2" x 4"
10. Engine Block, Z corp Z print, white starch based powder and water solution infiltrated with wax, 3" x 4" x 5"
11. Tubes Part for Woodward Governor, Zcorp Z print, green starch based powder and water solution infiltrated with resin, 6" x 7" x 8"
12. Human Skull Model, Zcorp, Zprint, white starch-based powder and water solution infiltrated with resin, ca. 6" x 12" x 4"
 

Tim Anderson
13. Human Barrel of Monkeys, 1999, Zcorp Zprint, 12" x 12" x 4", with some data processing by Phil Dench
14. Self Portrait Cremation Urn Bookend, 1994-1999, Zcorp Zprint, 4" x 5" x 6", with some engineering by Dr. Daniel Baca
 

Jim Bredt
15. 5jimthing, 1999, Zcorp Z print, 6 1/2" x 9" x 9", with some data processing by Phil Dench
16. Jimatlas, 1999, Zcorp Z print, 17" x 8" x 10"

Dan Collins
17. Forgetting Ourselves, 1995-1999, bronze, 12" x 9" x 9’ (each head 4" x 3" x 3")
18. The Cult of Touch, 1999, RP hand cut by CNC (computer numerically controlled) milling in Renshape 450, microscope white polyester thermo plastic, 1 1/2" x 9" x 3/4"
19. Pointer, 1999, RP sculpture cut by CNC (computer numerically controlled) milling in Renshape 450,
 1 1/2" x 9" x 1/2"
 

Bill Jones
20. Untitled, 1998 , Zcorp Zprint, painted red, 6" x 8"x 2"
21. Untitled, 1998, Photographic print, 30" x 40"
22. Untitled, 1998, CAD drawing, 8" x 10"

Michael LaForte
23. Dixie Edwards (Bell), 1998, stereolithography, 7" x 3" x 1 1/2",
24. American Radiator (Envelope), stereolithography, 1998, 33" x 10" x 8", stereolothography by Plynetics Express Company, Auburn Hills, Michigan
25. Inverse Kinematics (Fire Hose), 1999, stereolithography, 26 x 20" x 7", stereolithography by 3Dimensional Engineering Company, Pompano Beach, Florida.

Christian Lavigne
26.   Regeneration du Monde, 1996-1998, part of triptych, stereolithography, honey-colored resin, 5 1/16" x 6 7/8", sterolithography by CIBA-GEIGY US Lab and Ecole Centrale CREATE Lab
27. Regeneration du Monde, 1998-1999, triptych ,aluminum cast, 15 3/4" x 20 1/2", aluminum cast from Chateauroux-Fonderies.

Denise Marika
28. in terra, 1999, three acrylic tubes each 36 1/2" x 6" , three Zcorp Zprint figures each 12", and limestone, courtesy Howard Yezerski Gallery.

Michael Rees
29. Ajna 3, Amber, 1998, STL Stereolithography, laser cured epoxy resin, 12" x 7" x10", private collection, courtesy of Central Fine Arts
30. Ajna 3, Blue, 1998, 3D print, 11" x 7" x 10", private collection, courtesy of Central Fine Arts
31. Ajna 3, 1998, Fuji Crystal Archive, type C print on Sintra, 18" x 18", private collection, courtesy of Central Fine Arts
32. Ajna 3, 1998, X ray wire frame, Fuji Crystal Archive type C print on Sintra, 11 3/4" x 10 3/4", courtesy Central Fine Arts.

(M>M)